P. Medici
Please Note
15 records found
1
B67
Continuum of Bezuidenhoutseweg 67
In Oxford and Cambridge, higher education arose around the 13th century and has undergone major developments. One of the first colleges in Oxford was Balliol College started as an act of charity in 1260 by the King of Scots, John Balliol, where Balliol housed poor students in a house rented by him (Jones, n.d.). Over the years, several colleges have been built, each with its character and identity and mostly horizontally organised. These colleges are, sometimes, connected by footbridges but are mainly self-contained complexes. The complexes are organised out of several courtyards to which university facilities are attached. The resulting colleges are introverted due to the courtyard-facing facades that create close street frontages and have little connection with the public realm. Many campuses continued developing using the traditional layout and are mostly still segregated from the surrounding city fabric. The densification of cities necessitates the integration of campuses into the city. This ensures that cities are open and more accessible and spaces and programmes of the city and campus can reinforce each other and contribute to challenges within the society (den Heijer & Curvelo Magdaniel, 2018). As an answer to the studio brief, the Temporary House of Representatives of The Netherlands in The Hague was selected as a project site for the new campus. This building is an obsolete office building that is, due to its function, for many parts closed for the public. The new campus will accommodate lecture halls, workspaces, housing and other public functions. These programmes have specific requirements and dimensions and therefore the building needs to be transformed. However, in The Hague’s densely built Central Innovation District (CID) there is little room for a horizontal extension and creating a horizontally oriented campus as in Oxford. In fact, in the future, the Municipality of The Hague plans to densify further the CID (Municipality of The Hague, 2021), leaving even less space for buildings and public spaces. On the other hand, it creates opportunities for more multi-use high-rise buildings with different types of public programmes and spaces. Therefore, the campus needs to grow in height which causes implications for the more “traditional” circulation patterns between different floors and functions within and around the campus. How can vertical circulation be created by breaking through the stacked floors as Musiatowicz (2008) argues? Additionally, at the moment the building of the Temporary House of Representatives of The Netherlands, colloquially named the Monkey Rock, is seen as a monotonous closed structuralist building. Although the building has a distinct identity and is part of “the unity of the archipelago” (Koolhaas, 1994, p. 296), how can the new campus incorporate the local identity which could be represented by the kiosk typology of The Hague, which is now lost in the high-density area? ...
In Oxford and Cambridge, higher education arose around the 13th century and has undergone major developments. One of the first colleges in Oxford was Balliol College started as an act of charity in 1260 by the King of Scots, John Balliol, where Balliol housed poor students in a house rented by him (Jones, n.d.). Over the years, several colleges have been built, each with its character and identity and mostly horizontally organised. These colleges are, sometimes, connected by footbridges but are mainly self-contained complexes. The complexes are organised out of several courtyards to which university facilities are attached. The resulting colleges are introverted due to the courtyard-facing facades that create close street frontages and have little connection with the public realm. Many campuses continued developing using the traditional layout and are mostly still segregated from the surrounding city fabric. The densification of cities necessitates the integration of campuses into the city. This ensures that cities are open and more accessible and spaces and programmes of the city and campus can reinforce each other and contribute to challenges within the society (den Heijer & Curvelo Magdaniel, 2018). As an answer to the studio brief, the Temporary House of Representatives of The Netherlands in The Hague was selected as a project site for the new campus. This building is an obsolete office building that is, due to its function, for many parts closed for the public. The new campus will accommodate lecture halls, workspaces, housing and other public functions. These programmes have specific requirements and dimensions and therefore the building needs to be transformed. However, in The Hague’s densely built Central Innovation District (CID) there is little room for a horizontal extension and creating a horizontally oriented campus as in Oxford. In fact, in the future, the Municipality of The Hague plans to densify further the CID (Municipality of The Hague, 2021), leaving even less space for buildings and public spaces. On the other hand, it creates opportunities for more multi-use high-rise buildings with different types of public programmes and spaces. Therefore, the campus needs to grow in height which causes implications for the more “traditional” circulation patterns between different floors and functions within and around the campus. How can vertical circulation be created by breaking through the stacked floors as Musiatowicz (2008) argues? Additionally, at the moment the building of the Temporary House of Representatives of The Netherlands, colloquially named the Monkey Rock, is seen as a monotonous closed structuralist building. Although the building has a distinct identity and is part of “the unity of the archipelago” (Koolhaas, 1994, p. 296), how can the new campus incorporate the local identity which could be represented by the kiosk typology of The Hague, which is now lost in the high-density area?
House of knowledge
Educational systems and mirrored spaces
A Trifle Strife?
Public Space, Rituals and Communalism
However, other major risks include the disenfranchisement of Chamarajpet Maidan’s everyday existence, and by extension, of its everyday stakeholders. A failure to understand these tensions will exacerbate the megacity’s existing infrastructural and social woes. This study explores how public space could address religious communalism. It has been found that, in addition to exploring the religious and ritual meanings of the maidan through analytical cartographies, an analysis of its ‘worldings’ - through media representations and physical-social realities - were invaluable to produce a countercartography of the maidan. These countercartographies were possible with reference to books, journal articles, news articles, historical maps, site observations and interviews. Public architecture could address religious communalism if the maidan’s religious conflict is addressed alongside its everyday social needs. A longterm view necessitates the integration of (unanticipated) stakeholder uses and clear governance for infrastructural resilience. Politicised religions, which normalise a Muslim versus Hindu antagonism, is becoming ever more rampant in India. To understand its spatial ramifications is a first step in addressing a nation-wide problem. ...
However, other major risks include the disenfranchisement of Chamarajpet Maidan’s everyday existence, and by extension, of its everyday stakeholders. A failure to understand these tensions will exacerbate the megacity’s existing infrastructural and social woes. This study explores how public space could address religious communalism. It has been found that, in addition to exploring the religious and ritual meanings of the maidan through analytical cartographies, an analysis of its ‘worldings’ - through media representations and physical-social realities - were invaluable to produce a countercartography of the maidan. These countercartographies were possible with reference to books, journal articles, news articles, historical maps, site observations and interviews. Public architecture could address religious communalism if the maidan’s religious conflict is addressed alongside its everyday social needs. A longterm view necessitates the integration of (unanticipated) stakeholder uses and clear governance for infrastructural resilience. Politicised religions, which normalise a Muslim versus Hindu antagonism, is becoming ever more rampant in India. To understand its spatial ramifications is a first step in addressing a nation-wide problem.
From Oil to Soil
Time-space speculations for ecological regeneration in operational landscapes
urban life. However, they are commonly overlooked by the fields of spatial
studies and practices. One amongst many, Cubatão’s petrochemical hub
reveals the systematic ecological degradation resulting from resourceintensive
commodified politics, couched in the widely diffused rhetoric
of development and progress and distinctly linked to events of the Global
North. Impending global shifts, such as the retreat of fossil fuels and the
increase in renewable energy sources, raise questions on the vulnerability of
these places and on their abilities to evolve spatially, ecologically and socially.
Through a critical review of what has been conducted so far in terms of
design, planning and policies and a reflection on the agency of Architecture,
the research speculates over new forms of space production that engages
with the complex spatial conditions and the diversity of agents on site. ...
urban life. However, they are commonly overlooked by the fields of spatial
studies and practices. One amongst many, Cubatão’s petrochemical hub
reveals the systematic ecological degradation resulting from resourceintensive
commodified politics, couched in the widely diffused rhetoric
of development and progress and distinctly linked to events of the Global
North. Impending global shifts, such as the retreat of fossil fuels and the
increase in renewable energy sources, raise questions on the vulnerability of
these places and on their abilities to evolve spatially, ecologically and socially.
Through a critical review of what has been conducted so far in terms of
design, planning and policies and a reflection on the agency of Architecture,
the research speculates over new forms of space production that engages
with the complex spatial conditions and the diversity of agents on site.
Liquid cultures: continuity and change in New Town fringe villages
Reinterpreting notion of ‘traditional society’ in conservation future(s) of rural communties and their settlements, on the example of Shan Pui Tsuen in Yuen Long, Hong Kong
The study aims to examine how traditional society is being reinterpreted in the face of change and loss, particularly in relation to the shifting notion of a village and its role within rural society. It seeks to redefine countryside conservation strategies in the context of the northwest New Territories by moving beyond the cataloguing of the past and embracing progressive, future-oriented practices. The research proposes a framework for self-managed design processes that actively protect community values, offering an alternative approach to the current revitalization strategies limited to eco-tourism and open-air museum projects.
The proposal accommodated for needs of both indigenous and ‘new’ residents, at the same time maximizing the use of existing developed land, and protecting the surrounding natural context. The possibilities of inter-village collaborations suggested through the project encourage the wider application of local skills and the protection of local businesses. Together come to be a strategy for the active preservation of rural cultural heritage, allowing for the change to achieve continuity.
...
The study aims to examine how traditional society is being reinterpreted in the face of change and loss, particularly in relation to the shifting notion of a village and its role within rural society. It seeks to redefine countryside conservation strategies in the context of the northwest New Territories by moving beyond the cataloguing of the past and embracing progressive, future-oriented practices. The research proposes a framework for self-managed design processes that actively protect community values, offering an alternative approach to the current revitalization strategies limited to eco-tourism and open-air museum projects.
The proposal accommodated for needs of both indigenous and ‘new’ residents, at the same time maximizing the use of existing developed land, and protecting the surrounding natural context. The possibilities of inter-village collaborations suggested through the project encourage the wider application of local skills and the protection of local businesses. Together come to be a strategy for the active preservation of rural cultural heritage, allowing for the change to achieve continuity.
Digital Ornaments
The Crossover of Digital Technology & Contemporary Ornamentation
Tbilisi as a Palimpsest
Patterns, History, and Perceptions, in the Formation of a Reactive City
Persians, Byzantines, Ottomans, Russians, and Soviets all contributed to the construction of the image of Tbilisi and had an impact on its birth, death, and continual resurrection. As a result, the city is what Boris Pasternak referred to as a chimera—a fantastical creature with an Eastern body and a Western head. Pasternak describes Tbilisi as the place that transformed his life and made him feel as though everything was in motion. I had the same impression; everything was taking place as a result of everyone's efforts.
The purpose of this study is to highlight the significance of Tbilisian intangible heritage as well as social dynamics and their direct impact on how the courtyard house's space is configured.
In its most complete form, Tbilisi's urban layout could be referred to as a palimpsest. Every empire's ideology has left its mark on the city's layout, allowing the urban grid to be read as a timeline, from the old town's winding streets with Persian influences to the Haussmannian grid of the 19th century with Russian influences to the wide alleyways with large housing complexes from the Soviet Period. Nevertheless, the newest urban layer is being built upon the old town, by altering and destroying centuries of memories and formal alterations made by the inhabitants. ...
Persians, Byzantines, Ottomans, Russians, and Soviets all contributed to the construction of the image of Tbilisi and had an impact on its birth, death, and continual resurrection. As a result, the city is what Boris Pasternak referred to as a chimera—a fantastical creature with an Eastern body and a Western head. Pasternak describes Tbilisi as the place that transformed his life and made him feel as though everything was in motion. I had the same impression; everything was taking place as a result of everyone's efforts.
The purpose of this study is to highlight the significance of Tbilisian intangible heritage as well as social dynamics and their direct impact on how the courtyard house's space is configured.
In its most complete form, Tbilisi's urban layout could be referred to as a palimpsest. Every empire's ideology has left its mark on the city's layout, allowing the urban grid to be read as a timeline, from the old town's winding streets with Persian influences to the Haussmannian grid of the 19th century with Russian influences to the wide alleyways with large housing complexes from the Soviet Period. Nevertheless, the newest urban layer is being built upon the old town, by altering and destroying centuries of memories and formal alterations made by the inhabitants.
Panelka Beyond Ideology
In between a remnant of Soviet reality and a catalyst for individuality
The graduation project focuses on the revitalization of the Panelka through the case study of the Trakiya district in Plovdiv, Bulgaria. Supported by in-depth research of Panelkas’ development, the project aims to reimagine Trakiya through the local vernacular characteristics of the globally mass produced Panelka. The research showed that although Panelka’s perception is influenced by the negative connotations due to its ideological past, it is in flux due to constant recreation by its residents. The project’s approach is sensitive to Trakiya’s latent opportunities, and resulted in a framework, which can spatially as well as socially correspond to the needs of the residents. In order to improve the living conditions and tackle the negative perception of Panelka, a set of interventions founded on circularity aspects is proposed. ...
The graduation project focuses on the revitalization of the Panelka through the case study of the Trakiya district in Plovdiv, Bulgaria. Supported by in-depth research of Panelkas’ development, the project aims to reimagine Trakiya through the local vernacular characteristics of the globally mass produced Panelka. The research showed that although Panelka’s perception is influenced by the negative connotations due to its ideological past, it is in flux due to constant recreation by its residents. The project’s approach is sensitive to Trakiya’s latent opportunities, and resulted in a framework, which can spatially as well as socially correspond to the needs of the residents. In order to improve the living conditions and tackle the negative perception of Panelka, a set of interventions founded on circularity aspects is proposed.
(re)Displaced in City
Human Rights-Based Architecture to Overcome Newcomers' Marginalization and Degrading Treatment in Paris
Rumination of Ruination
The Regenerative Decay in the Post-industrial Trieste
Located within the Binckhorst area in The Hague, the project focuses to question in what way the identity of the Binckhorst area can be articulated through the musical and architectural expression of the designed concert building.
Within this project, five key principles from musical composition have been identified and used as tools for designing a concert building for symphonic music. Based on the principle form of a classical symphony, the four movements form the zones through which the visitor travels on the way towards the concert hall. The principles of key and harmony, structure, melody and instrumentation are translated into their architectural counterparts and used to design the four separate zones created within the building. Through interaction with the building’s surroundings within different zones, the visitors are encouraged to “listen” to the Binckhorst area in new ways. ...
Located within the Binckhorst area in The Hague, the project focuses to question in what way the identity of the Binckhorst area can be articulated through the musical and architectural expression of the designed concert building.
Within this project, five key principles from musical composition have been identified and used as tools for designing a concert building for symphonic music. Based on the principle form of a classical symphony, the four movements form the zones through which the visitor travels on the way towards the concert hall. The principles of key and harmony, structure, melody and instrumentation are translated into their architectural counterparts and used to design the four separate zones created within the building. Through interaction with the building’s surroundings within different zones, the visitors are encouraged to “listen” to the Binckhorst area in new ways.