Y. Söylev
Please Note
20 records found
1
Piet's Centre
A hospital for immunocompromised patients
My motivation to focus on hospitals is personal. My younger brother, Piet, is nineteen years old and has Cystic Fibrosis. Cystic Fibrosis is a genetic condition that mainly affects the lungs and immune system, making patients particularly vulnerable to infections. Because of this, a hospital is not always experienced as a safe place. It is the place where care is provided, but also a place where exposure to infection can become dangerous.
This contradiction forms the starting point of my graduation project. The contemporary hospital is confronted with a renewed architectural challenge. Many hospital buildings were designed during the antibiotic era, when compactness, efficiency, shared waiting areas, and dense circulation systems became common. However, for patients who are vulnerable to infection, these environments can be problematic.
The main question of the project is: how can architectural design contribute to infection safety and overall well-being for immunocompromised patients within the hospital environment?
The project argues that infection prevention is not only a matter of medical protocols, ventilation systems, or personal protective equipment. It is also shaped by architecture. Routing, thresholds, room organization, outdoor space, material choices, visibility, distance, and atmosphere all influence how patients move, how care is organized, and how safe a hospital can feel.
The design responds by reorganizing the hospital around protection, clean air, and controlled interaction. Separate routes reduce unnecessary contact between patients. Positive pressure rooms create protected interiors. Outdoor circulation provides access to fresh air, while courtyard gardens bring daylight, greenery, and nature-inclusive healing into the care environment.
At the same time, the project avoids turning protection into isolation. Social spaces, outdoor meeting areas, daylight, greenery, and patient autonomy are included as essential parts of the design. The project searches for a balance between control and freedom, between medical safety and human comfort.
Architecture cannot remove medical risk completely, but it can define the spatial conditions in which care, movement, interaction, and protection take place. In this way, infection safety and well-being can support each other rather than compete.
...
My motivation to focus on hospitals is personal. My younger brother, Piet, is nineteen years old and has Cystic Fibrosis. Cystic Fibrosis is a genetic condition that mainly affects the lungs and immune system, making patients particularly vulnerable to infections. Because of this, a hospital is not always experienced as a safe place. It is the place where care is provided, but also a place where exposure to infection can become dangerous.
This contradiction forms the starting point of my graduation project. The contemporary hospital is confronted with a renewed architectural challenge. Many hospital buildings were designed during the antibiotic era, when compactness, efficiency, shared waiting areas, and dense circulation systems became common. However, for patients who are vulnerable to infection, these environments can be problematic.
The main question of the project is: how can architectural design contribute to infection safety and overall well-being for immunocompromised patients within the hospital environment?
The project argues that infection prevention is not only a matter of medical protocols, ventilation systems, or personal protective equipment. It is also shaped by architecture. Routing, thresholds, room organization, outdoor space, material choices, visibility, distance, and atmosphere all influence how patients move, how care is organized, and how safe a hospital can feel.
The design responds by reorganizing the hospital around protection, clean air, and controlled interaction. Separate routes reduce unnecessary contact between patients. Positive pressure rooms create protected interiors. Outdoor circulation provides access to fresh air, while courtyard gardens bring daylight, greenery, and nature-inclusive healing into the care environment.
At the same time, the project avoids turning protection into isolation. Social spaces, outdoor meeting areas, daylight, greenery, and patient autonomy are included as essential parts of the design. The project searches for a balance between control and freedom, between medical safety and human comfort.
Architecture cannot remove medical risk completely, but it can define the spatial conditions in which care, movement, interaction, and protection take place. In this way, infection safety and well-being can support each other rather than compete.
Thresholds of Power
Power of Thresholds
Through the lens of thresholds; understood as physical, symbolic, and procedural mediators - the research explores how architecture structures power relations and produces institutional subjectivities. Combining theoretical inquiry with spatial analysis, including user-flow mapping and design iteration, the project examines the courthouse as a complex civic infrastructure accommodating diverse and often segregated user groups.
The design proposal reimagines the courthouse as a more open, accessible, and publicly engaged institution, while maintaining necessary levels of security and efficiency. By balancing monumentality with inclusivity, the project offers an architectural response that places citizens at the forefront, reframing the courthouse as both a symbol and a facilitator of democratic participation. ...
Through the lens of thresholds; understood as physical, symbolic, and procedural mediators - the research explores how architecture structures power relations and produces institutional subjectivities. Combining theoretical inquiry with spatial analysis, including user-flow mapping and design iteration, the project examines the courthouse as a complex civic infrastructure accommodating diverse and often segregated user groups.
The design proposal reimagines the courthouse as a more open, accessible, and publicly engaged institution, while maintaining necessary levels of security and efficiency. By balancing monumentality with inclusivity, the project offers an architectural response that places citizens at the forefront, reframing the courthouse as both a symbol and a facilitator of democratic participation.
Beyond The Classroom
The university without walls
In an time where the exchange of knowledge can happen anywhere at any time, what role do university spaces still play? This research suggests that, in addition to their traditional role as knowledge centers, universities must embrace their civic role of social engagement.
The central research question asks: ‘How can university spaces adapt to the digital transformation of education while sustaining their civic role in fostering social engagement?’ To address this, a new faculty building was designed for Bocconi University. The design introduces the ‘university without walls’, a building that acts as a bridge between students and society. The project forms a layered learning landscape that supports innovation, social engagement, and personal initiative, connecting students both to each other and to the creative economy of Milan. Defined by core principles of continuity, connectivity, adaptability, transparency, and social circulation, the design ultimately establishes a student landmark.
...
In an time where the exchange of knowledge can happen anywhere at any time, what role do university spaces still play? This research suggests that, in addition to their traditional role as knowledge centers, universities must embrace their civic role of social engagement.
The central research question asks: ‘How can university spaces adapt to the digital transformation of education while sustaining their civic role in fostering social engagement?’ To address this, a new faculty building was designed for Bocconi University. The design introduces the ‘university without walls’, a building that acts as a bridge between students and society. The project forms a layered learning landscape that supports innovation, social engagement, and personal initiative, connecting students both to each other and to the creative economy of Milan. Defined by core principles of continuity, connectivity, adaptability, transparency, and social circulation, the design ultimately establishes a student landmark.
Pockets of Exchange
A library design of active participation
Istanbul's Queer(ed) Space
A process of collective building and celebration
Accordingly, the project proposes an architecture that listens, brings together and resists fixity. Collaboration is engrained all throughout the project; during research, knowledge is not extracted from ‘subjects’ but constructed collectively: a process that’s messy, embodied and always in flux. By breaking down traditional research and design hierarchies, it shifts authority away from the architect and toward shared authorship, embracing transdisciplinarity and intersectionality as vital conditions, centralizing care and hospitality.
This approach unfolds through shared drawings, communal dinner nights, collective dreams and finally, a 1:1 scale spatial exploration in a queer nightclub in Istanbul. A space scavenged, assembled and transformed through improvisation and shared labor. The storyline reveals key anchor points for queering the architectural process: to value process over product, to embrace temporality, to reintroduce craft - through working hands-on, playfulness and solutions beyond cognition are invited. Very much an unfinished product, this is an inquiry of gathering and holding space, an act of resistance and care - architecture seen as part of a larger celebration. ...
Accordingly, the project proposes an architecture that listens, brings together and resists fixity. Collaboration is engrained all throughout the project; during research, knowledge is not extracted from ‘subjects’ but constructed collectively: a process that’s messy, embodied and always in flux. By breaking down traditional research and design hierarchies, it shifts authority away from the architect and toward shared authorship, embracing transdisciplinarity and intersectionality as vital conditions, centralizing care and hospitality.
This approach unfolds through shared drawings, communal dinner nights, collective dreams and finally, a 1:1 scale spatial exploration in a queer nightclub in Istanbul. A space scavenged, assembled and transformed through improvisation and shared labor. The storyline reveals key anchor points for queering the architectural process: to value process over product, to embrace temporality, to reintroduce craft - through working hands-on, playfulness and solutions beyond cognition are invited. Very much an unfinished product, this is an inquiry of gathering and holding space, an act of resistance and care - architecture seen as part of a larger celebration.
Crisis Hub
German Red Cross Center for Humanitarian Relief Operations
Center Re-Gen
An exploration into visualizing the future hospital as a space of production and delivery of personalized regenerative medicine in Berlin
This project is a deep exploration into the intersection of regenerative medicine and hospital architecture. It envisions a highly specialized hospital designed to treat patients by eradicating genetic and chronic diseases. The overarching idea of regeneration plays a central role in shaping the hospital’s program, site, and architectural design. This approach ensures that the hospital is tailored to meet the specific needs of human regeneration, aligning with cutting-edge scientific breakthroughs. The project integrates the four fundamental components of healthcare and regeneration under one roof: care, production, administration, and diagnosis/analysis, along with long-term storage facilities. This collaborative model creates a cohesive environment optimized for the process of regeneration. Simultaneously, the design prioritizes creating a sanctuary for patients and staff, while reimagining hospitals as vibrant, open public spaces that integrate seamlessly with the urban fabric and natural environment.
Ultimately, this project serves as a vision for how hospitals of the future can become not only centers of medical excellence but also community hubs that foster connection, healing, and innovation. ...
This project is a deep exploration into the intersection of regenerative medicine and hospital architecture. It envisions a highly specialized hospital designed to treat patients by eradicating genetic and chronic diseases. The overarching idea of regeneration plays a central role in shaping the hospital’s program, site, and architectural design. This approach ensures that the hospital is tailored to meet the specific needs of human regeneration, aligning with cutting-edge scientific breakthroughs. The project integrates the four fundamental components of healthcare and regeneration under one roof: care, production, administration, and diagnosis/analysis, along with long-term storage facilities. This collaborative model creates a cohesive environment optimized for the process of regeneration. Simultaneously, the design prioritizes creating a sanctuary for patients and staff, while reimagining hospitals as vibrant, open public spaces that integrate seamlessly with the urban fabric and natural environment.
Ultimately, this project serves as a vision for how hospitals of the future can become not only centers of medical excellence but also community hubs that foster connection, healing, and innovation.
Night Train Hub Berlin
Connecting Berlin with the rest of Europe
The new station design has three entrances and a square which covers the train tracks to add public space to the city of Berlin. Next to that the design contains a central station hall which houses a lounge and a capsule hotel. This will be the first impression people have of Berlin when they arrive by night train.
...
The new station design has three entrances and a square which covers the train tracks to add public space to the city of Berlin. Next to that the design contains a central station hall which houses a lounge and a capsule hotel. This will be the first impression people have of Berlin when they arrive by night train.
Fortress Without Barriers
Maintaining Accessibility in the Face of Security
This detachment partially stems from the functional and physical separation of people’s civic and political lives, leaving public officials as uncountable, a separated class unresponsive to the everyday people, who in turn can glance little of the everyday working of their government.
In other words: it is easier to pass unfavourable legislation when you never interact with the common people and sit in your fortress hidden from protests. For these reasons, the future must see the creation of new governmental spaces that are public in nature, but also safeguarded from new dynamic threads. New design approaches in established typologies need to be sought to answer these relationship questions that stem from new state, societal, and technological developments.
The Graduation Project ‘Fortress Without Barriers‘ seek to explore these issues of security and accessibility by using a scenario involving the design of a new Federal Ministry of Defence headquarters in Berlin. At first glance this typology might be perceived as ill suited to the integration of public life, even agitative. But rather the project places it as the ultimate test for whether these values can be effectively expressed in an urban context. Defence Ministry being the most prime domain of security, on the scale of city within a city, and placing the most private and secured programme imaginable alongside the proposed public functions.
...
This detachment partially stems from the functional and physical separation of people’s civic and political lives, leaving public officials as uncountable, a separated class unresponsive to the everyday people, who in turn can glance little of the everyday working of their government.
In other words: it is easier to pass unfavourable legislation when you never interact with the common people and sit in your fortress hidden from protests. For these reasons, the future must see the creation of new governmental spaces that are public in nature, but also safeguarded from new dynamic threads. New design approaches in established typologies need to be sought to answer these relationship questions that stem from new state, societal, and technological developments.
The Graduation Project ‘Fortress Without Barriers‘ seek to explore these issues of security and accessibility by using a scenario involving the design of a new Federal Ministry of Defence headquarters in Berlin. At first glance this typology might be perceived as ill suited to the integration of public life, even agitative. But rather the project places it as the ultimate test for whether these values can be effectively expressed in an urban context. Defence Ministry being the most prime domain of security, on the scale of city within a city, and placing the most private and secured programme imaginable alongside the proposed public functions.
New Cemetery
A museum of memories
Since the first garden cemetery was built in the early nineteenth century, this concept spread rapidly throughout Europe. Until now garden cemetery is still the common form of cemeteries in European cities. With the concept of garden cemetery, cemeteries exist in the urban fabric as a public space represented by nature and landscape attributes. The emergence of this relationship is closely related to the demand for burialbased burial forms. For a long time, this relationship has given the cemetery a natural and green identity, which is also the common perception of the cemetery among citizens.
Has this relationship changed?
In the context of the Complex Project, Building Body Berlin course, this research design will
focus specifically on Berlin, Germany. The existence of the German cemetery law, known as “Der Friedhofszwang“, makes cemetery burial mandatory in Germany. Along with this law of compulsory burials, the demand for cemeteries has a huge quantitative basis in Germany.
However, according to the research of cemetery development plan of Berlin in 2006, since the end of the 20th century, the cemeteries (mainly garden cemetery) in Berlin have roduced a large amount of vacancy. These idle cemeteries consume a lot of operating and maintenance costs. This phenomenon does not mean that the demand for cemeteries has declined. On the contrary, the demand for cemeteries in Berlin is still increasing. Moreover, with the aging of the population in Germany, the death rate and the number of deaths have risen, and Berliners’ demand for cemeteries will continue to increase in the future. The increase in demand for cemeteries does not appear to coincide with the reduction in cemetery size. It is this inconsistency that helps us see the problem for what it is. The reason for this lies in the transformation of the form of burials. As cremation has grown in popularity, people have increasingly turned to other forms of burial, such as burial of ashes and placement in columbariums. According to statistics, the proportion of cremation in Germany has reached more than 75%. Compared with the traditional form of burying coffins, the land area required for the new burial form represented by cremation is greatly reduced. Statistics show that compared with the average area of 12 square meters in traditional burial coffins, the average area of urns placed in columbariums is only 0.5 square meters. This huge change has also led to a continuous reduction in the core space actually used in the cemetery. Therefore, more and more cemeteries can no longer assume the role of urban public green space due to the reduction of the core use area.
Although this phenomenon of quantitative change has not accumulated to produce qualitative change, we can still see the urgent need for the transformation of the cemetery. So how can the cemetery provide a new value as an urban public space? This research design process will ask questions around this question and offer a possible solution.
...
Since the first garden cemetery was built in the early nineteenth century, this concept spread rapidly throughout Europe. Until now garden cemetery is still the common form of cemeteries in European cities. With the concept of garden cemetery, cemeteries exist in the urban fabric as a public space represented by nature and landscape attributes. The emergence of this relationship is closely related to the demand for burialbased burial forms. For a long time, this relationship has given the cemetery a natural and green identity, which is also the common perception of the cemetery among citizens.
Has this relationship changed?
In the context of the Complex Project, Building Body Berlin course, this research design will
focus specifically on Berlin, Germany. The existence of the German cemetery law, known as “Der Friedhofszwang“, makes cemetery burial mandatory in Germany. Along with this law of compulsory burials, the demand for cemeteries has a huge quantitative basis in Germany.
However, according to the research of cemetery development plan of Berlin in 2006, since the end of the 20th century, the cemeteries (mainly garden cemetery) in Berlin have roduced a large amount of vacancy. These idle cemeteries consume a lot of operating and maintenance costs. This phenomenon does not mean that the demand for cemeteries has declined. On the contrary, the demand for cemeteries in Berlin is still increasing. Moreover, with the aging of the population in Germany, the death rate and the number of deaths have risen, and Berliners’ demand for cemeteries will continue to increase in the future. The increase in demand for cemeteries does not appear to coincide with the reduction in cemetery size. It is this inconsistency that helps us see the problem for what it is. The reason for this lies in the transformation of the form of burials. As cremation has grown in popularity, people have increasingly turned to other forms of burial, such as burial of ashes and placement in columbariums. According to statistics, the proportion of cremation in Germany has reached more than 75%. Compared with the traditional form of burying coffins, the land area required for the new burial form represented by cremation is greatly reduced. Statistics show that compared with the average area of 12 square meters in traditional burial coffins, the average area of urns placed in columbariums is only 0.5 square meters. This huge change has also led to a continuous reduction in the core space actually used in the cemetery. Therefore, more and more cemeteries can no longer assume the role of urban public green space due to the reduction of the core use area.
Although this phenomenon of quantitative change has not accumulated to produce qualitative change, we can still see the urgent need for the transformation of the cemetery. So how can the cemetery provide a new value as an urban public space? This research design process will ask questions around this question and offer a possible solution.
Architecture for the Displaced
One building representing the resettlement procedure in the arrival city of Berlin
The project Architecture for the Displaced: One building representing the resettlement procedure in the arrival city of Berlin is about proposing a better building solution for both the institutions and the displaced. The project is a building bringing the resettlement procedure together, from arriving to going to court. The building is a pioneer in a more humanitarian approach towards getting refuge in Germany, by responding to the user's needs. The research question is: “How can a building treat displaced people in a societal inclusive way while maintaining institutional efficiency?” ...
The project Architecture for the Displaced: One building representing the resettlement procedure in the arrival city of Berlin is about proposing a better building solution for both the institutions and the displaced. The project is a building bringing the resettlement procedure together, from arriving to going to court. The building is a pioneer in a more humanitarian approach towards getting refuge in Germany, by responding to the user's needs. The research question is: “How can a building treat displaced people in a societal inclusive way while maintaining institutional efficiency?”
Cargo Plus
The Cargo Terminal Design for Enhancing Working Conditions
The architectural design of cargo terminals has the potential to offset these demands and address the consequences by creating environments that actively support employee well-being. By exploring innovative design strategies that consider both functionally and mentally, architecture can play a crucial role in alleviating demanding working conditions,
promoting well-being, and boosting productivity within cargo terminals.
...
The architectural design of cargo terminals has the potential to offset these demands and address the consequences by creating environments that actively support employee well-being. By exploring innovative design strategies that consider both functionally and mentally, architecture can play a crucial role in alleviating demanding working conditions,
promoting well-being, and boosting productivity within cargo terminals.
Multimodality Forum Jungfernheide
A park-and-ride train station that encourages motorists to use green mobility to get to Berlin’s city centre
The design for a new train station in Berlin will primarily respond to creating a unique traveller experience to enhance the user experience. Digital media and automation technologies play an essential role in this, allowing the station user to configure their own experience at the station according to their needs. The station within which these technologies can serve the user will also have to change its character.
Adding features related to service and experience should ensure that a new platform is created that encourages travellers to use the public transport network. Moreover, adding these themes in a station reduces travel time and enhances the user experience.
The design extends the standard train station by integrating automation technologies that allow travellers to perform daily actions at the station faster. For instance, car and bicycle parking in the station is automated, eliminating parking operations. Moreover, the station will also feature service cores. Integrated into these cores are automated food and package services and digital media that can provide users with necessary travel information, daily news and weather, exhibition display and events.
Besides the addition of automation technologies, the building will also have various functions related to the traveller’s daily routine, facilitating social activities and providing work and study places. Through interactive screens in the station or the telephone, travellers can pre-select the desired functions they will use at the station. The station configures its layout using this data to make the required space available.
Finally, in addition to classifying their travel experience at the station, users can configure their space in terms of spaciousness and climate. By applying these new functions and techniques, the station will no longer be a monotonous building for the user but will be able to react to needs and adapt to current and future use. ...
The design for a new train station in Berlin will primarily respond to creating a unique traveller experience to enhance the user experience. Digital media and automation technologies play an essential role in this, allowing the station user to configure their own experience at the station according to their needs. The station within which these technologies can serve the user will also have to change its character.
Adding features related to service and experience should ensure that a new platform is created that encourages travellers to use the public transport network. Moreover, adding these themes in a station reduces travel time and enhances the user experience.
The design extends the standard train station by integrating automation technologies that allow travellers to perform daily actions at the station faster. For instance, car and bicycle parking in the station is automated, eliminating parking operations. Moreover, the station will also feature service cores. Integrated into these cores are automated food and package services and digital media that can provide users with necessary travel information, daily news and weather, exhibition display and events.
Besides the addition of automation technologies, the building will also have various functions related to the traveller’s daily routine, facilitating social activities and providing work and study places. Through interactive screens in the station or the telephone, travellers can pre-select the desired functions they will use at the station. The station configures its layout using this data to make the required space available.
Finally, in addition to classifying their travel experience at the station, users can configure their space in terms of spaciousness and climate. By applying these new functions and techniques, the station will no longer be a monotonous building for the user but will be able to react to needs and adapt to current and future use.
From hospital to house
Elderly Healing Space in the Information Society
This situation is even worse for elderly people. According to a CNN Health survey, the older you are, the worse the hospital is for you. But on the other hand, Germany is even entering a super-ageing society. According to the United Nations Health Organi-sation, 27.6% of the population in Germany is over 60 years old, the second highest population in the world after Japan.1 And in the German healthcare system, more than 60.5% of patients are older than 60. Geriatric medicine department’s average length of stay of 15.2 days is twice the average, ranking first among all departments.
All the facts prove that hospitals, which have remained unchanged for decades, need a revolution. The best future hospital is NOT hospital, at least not the way it is now. This article studies the body perspective to provide an excellent healthcare experi-ence for elderly patients. Filling the gap between society, hospital and home, ena-bling the revolution from hospital to house. ...
This situation is even worse for elderly people. According to a CNN Health survey, the older you are, the worse the hospital is for you. But on the other hand, Germany is even entering a super-ageing society. According to the United Nations Health Organi-sation, 27.6% of the population in Germany is over 60 years old, the second highest population in the world after Japan.1 And in the German healthcare system, more than 60.5% of patients are older than 60. Geriatric medicine department’s average length of stay of 15.2 days is twice the average, ranking first among all departments.
All the facts prove that hospitals, which have remained unchanged for decades, need a revolution. The best future hospital is NOT hospital, at least not the way it is now. This article studies the body perspective to provide an excellent healthcare experi-ence for elderly patients. Filling the gap between society, hospital and home, ena-bling the revolution from hospital to house.
A new experience of trials
The Berlin Regional Criminal Court
Berlin Open Depot
Public Art Depot for Germany
Ai University Berlin
A place for collaboration in AI with AI